92% Skyfall

All Critics (252) | Top Critics (45) | Fresh (231) | Rotten (21)

'Quantum of Solace,' was a dour, dire letdown. This picture's a substantial bounce back, and easily the best Craig Bond picture. Emotional depth and all.

Sam Mendes' 'Skyfall': sleek, slithery, sensual

The cool accomplishment of Skyfall, 23rd in the Broccoli franchise, is that it seems a necessary, rather than mandatory, addition to the year's popular culture.

Among the most ambitious imaginings of Bond to date: dark, supple, and punctuated with moments of unanticipated visual brilliance.

Mendes' approach to action is classical and elegant - no manic editing and blurry unintelligible images here - but what makes the movie special is the attention he pays his actors.

"Skyfall" is a different kind of Bond movie, one that works just fine on its own terms, but a steady diet of this might kill the franchise. One "Skyfall" is enough.

Mendes and Co. has an astutely cunning way to keep our blood pumping every minute of the latest and, arguably, best time we've had with the enduring Bond in years.

Better than the average Bond, but not the greatest.

a crackerjack Bond film that cannily mixes the harder, more severe edges of the previous Craig films with a sly sense of humor

The latest James Bond adventure proves, at least in my opinion, that Craig has grasped the role better than any of his predecessors, including Sean Connery.

Skyfall succeeds in providing epic escapism with just the right balance of action, art-house aesthetics and melodrama.

I had more fun with it than I didn't, which is more than I can say about a lot of these big budget event movies.

Bardem's Silva and the spectacular image-making breathe new life into the old firm. Bond-age has rarely been so much fun.

This is a strong, fast, and sexy action story that gives us something different from the Bond films we have seen before.

Indeed one of the very best in the series' 50-year history. Director Sam Mendes gathered a superb cast and technical team for this 007 outing and their collective proficiency shows.

While [the film] gets more emotional and resonant as it goes on, it also gets much slower and narrower in scope.

Traveling the world, solving a mystery, hunting people down, killing some of those people...everything that you want James Bond to do. Then it takes an interesting turn.

Skyfall might stand as the lone example of a satisfying, standalone narrative blending with all those tried-and-true Bond tropes. Adele tune aside, Mendes makes nary a misstep.

... a bang-up job of interweaving arty visuals. dour backstory, in-jokes, and, for the series faithful, heartfelt comings and goings ... Bardem is the best (read most twisted) franchise baddie since Heath Ledger's Joker.

...just as Marc Forster went off the rails in Quantum of Solace during that silly horse-race juxtaposition, so too does Mendes go overboard with the deconstruction/dysfunction.

If our 21st-century spies must be dark instead of Pop, let them be presented with as much conviction and professionalism as in 'Skyfall,' the best movie yet with Daniel Craig as a particularly vulnerable bruiser of a Bond for a cynical post-Cold War era.

Nothing Like A Good Villian

The villain isn't intent on destroying the world, and the gadgets consist of items you might find at The Sharper Image. The 23rd Bond outing delivers thrills all the same.

Skyfall's 143-minute running time doesn't seem a bit extended. Rather, one sits there taking in this 23rd Bond adventure, wishing to be shaken and stirred indefinitely.

Source: http://www.rottentomatoes.com/m/skyfall/

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